We once again encounter the bass Alexei Botnarciuc, who distinguished himself just last year in Munich in Shostakovich’s first opera, The Nose, as he takes on a formidable role that calls for the skills of a fine storyteller capable of bringing out all the elegiac character of the assembled poems. The Moldovan confronts all these challenges without any apparent effort, delighting us with his rich, deep timbre, carried by an audacious projection across the entire range