Aluda
Todua
Baritone

Bio

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Representation
Worldwide Exclusive
“His voluminous, full-bodied baritone is a treat for the ear and is one of the best that has been heard in this role”- Der Bund

In the 2025/26 season, he makes his debut at the Royal Danish Opera in the title role of Rigoletto, and sings his first Nabucco as well as Jago in Otello at the Theater Bonn. Recent highlights include role debuts as Ford Falstaff and Jago Otello at Hessisches Staatstheater Wiesbaden, Giorgio Germont La traviata at the Staatstheater Darmstadt, Rigoletto at the Prague National Theatre and Bühnen Bern, Michele Il tabarro at the Internationale Maifestspiele Wiesbaden, and Kiazo in Paliashvili’s Daisi at Tbilisi State Opera.

Further engagements at Hessisches Staatstheater Wiesbaden featured Rodrigo Don Carlo and Il Conte di Luna Il trovatore. At the Bolshoi Theatre Moscow, his roles have included Lescaut Manon Lescaut, Don Alvaro Il viaggio a Reims, Marcello La bohème, Yeletsky The Queen of Spades, and Robert Iolanta.

A graduate of the Bolshoi Theatre Young Artist Program and the Tbilisi State Conservatory, Aluda Todua is a prize-winner of several international competitions, including Neue Stimmen (2015), the International Bülbül Vocal Competition (2012), the Elena Obraztsova International Competition (2013), and the Stanisław Moniuszko Vocal Competition (2016).

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Aluda Todua
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Aluda Todua
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News

Press

Bühnen Bern - Rigoletto
Der Bund
The singing is of a very high standard, with Aluda Todua's Rigoletto towering above the rest: his voluminous, full-bodied baritone is a treat for the ear and is one of the best that has been heard in this role during the Scholz era
Bühnen Bern - Rigoletto
plattformj.ch
The tragic title character of Rigoletto is ideally cast in Bern with Aluda Todua. The Georgian's baritone has a rare blend of volume, broad resonance and multi-faceted timbre. Todua's voice can effortlessly assert itself against a tutti, the tone in it possesses a beautiful softness that is endowed with a bronze, velvety character. Todua's low notes sound sonorous and carrying, and the singer never seems strained in the high register
Bühnen Bern - Rigoletto
opermagazin
The stage is set for the voluminous, flowing baritone Aluda Todua
Hessisches Staatstheater Wiesbaden - Il Trovatore
operagazet
We liked Aluda Todua, from Georgia, better: a convincing, probing Count Luna. More dynamic, sharp, and powerful than an example of flexibility, that's for sure. Just like counts are
Staatstheater Darmstadt - La Traviata
egotrip
Aluda Todua ... zeigten starke stimmliche Präsenz
Staatstheater Darmstadt - La Traviata
Frankfurter Rundschau
Todua trumpfte unter den großen Partien auf mit einem klassischen Verdi-Vater-Bariton