Bror Magnus Tødenes
Tenor

Bio

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Naomi Imai
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Norwegian tenor Bror Magnus Tødenes is praised for his “agile tenor with an almost ideal bel canto sound” (Kulturvinden) and for performances that balance lyrical warmth, dramatic intensity, and effortless vocal technique. In Giovanna d’Arco at Malmö Opera, critics noted his ability to “navigate long and challenging passages without a trace of fatigue, while maintaining full vocal focus - even in physically demanding staging”.

In the 2026-27 season he makes his house debut at Deutsche Oper am Rhein as Alfredo La traviata and returns to Théâtre du Capitole Toulouse as Lancelot Le roi Arthus.
On the concert stage he appears in a gala concert with Stavanger Symfoniorkester and in Beethoven’s 9th Symphony with Aarhus Symfoniorkester.

Recent engagements include his debuts at Oper im Steinbruch St. Margarethen and Teatro del Maggio Musicale Fiorentino as Cavaradossi Tosca, his debut at the Polish National Opera as Pinkerton Madama Butterfly, as well as Alfredo La traviata at the Polish National Opera, Royal Swedish Opera and Prague National Opera. His repertoire also includes Rodolfo La bohème at the Royal Swedish Opera and Norwegian National Opera, Ismaele Nabucco at the Wiener Staatsoper and Macduff Macbeth at the Opéra de Lyon. 
Other highlights include Carlo Giovanna d’Arco at the Copenhagen Festival and Malmö Opera, the title role of La clemenza di Tito at Prague National Theatre under Marc Minkowski, and appearances at Théâtre du Capitole de Toulouse as Edgardo Lucia di Lammermoor, Lensky Eugene Onegin, Macduff Macbeth and Tamino Die Zauberflöte

A winner of both the First Prize and Audience Prize at the Renata Tebaldi International Voice Competition, Tødenes is also the youngest recipient of the Erling Kroghs Grant from the Norwegian National Opera. He trained in Trondheim and at the Conservatorio Santa Cecilia in Rome, and is a former member of the Salzburg Festival Young Singers Project.
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Press

Malmö Opera - Giovanna d'Arco
svt.se
Musically, it was top class, as often happens in Malmö. The baritone Fredrik Zetterström, who likes to perform on this stage, is better than ever. He is worth a visit. Here he has an equal Polish soprano, Ania Jeruc, and ditto Norwegian tenor, Bror Magnus Tødenes, who delivers bel canto at the highest level
Malmö Opera - Giovanna d'Arco
Operapoint
Bror Magnus Tødenes (Carlo) is an agile tenor with an almost ideal bel canto sound. He articulated his figurations accurately and used his light, sometimes sobbing approach as a stylistically confident and nuanced means of expression. Despite his long, demanding passages, his voice showed no sign of fatigue and his playing was committed throughout. Like Ania Jeruc, he is also able to perform high passages while crouching or lying down without any loss of sound
Malmö Opera - Giovanna d'Arco
Ungtteaterblod
Norwegian tenor Bror Magnus Tødenes impresses with power and depth as King Charles, who must juggle both war and love
Malmö Opera - Giovanna d'Arco
XQ28.dk
The King was sung by Bror Magnus Tødenes, who has a very fine tenor that fits well with Verdi's music. In the King's entrance aria, Tødenes impressed with his beautiful sound and secure technique, not least when he ended a phrase with an incredibly beautiful crescendo and descrescendo on the penultimate note
Malmö Opera - Giovanna d'Arco
Aftonbladet
Norwegian tenor Bror Magnus Tødenes' bright timbre carries lyrically high and lovely without ever sounding pressured. His King is a romantic on the verge of breaking, but with a voice that makes you want to hear more