Dmitry
Golovnin
Tenor

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“Dmitry Golovnin shines as her lover Sergei. With a bright, trumpet-like, punchy yet beautiful and colorful tenor, he cleverly and psychologically differentiates the egotistical scoundrel with charm, cunning, and brutality.” - IOCO Kultur im Netz

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In the 2026/27 season, Dmitry Golovnin appears as Guido Bardi Eine florentinische Tragödie at the Wiener Staatsoper and Hermann The Queen of Spades at the Greek National Opera. 

During the 2025/26 season, his engagements included Drum Major Wozzeck at the Wiener Staatsoper, Grigoriy Boris Godunov at Oper Frankfurt, and Prince Golitsyn Khovanshchina at Staatsoper Unter den Linden.

Dmitry’s previous guest engagements include Hermann in The Queen of Spades and Grigoriy in Boris Godunov at the Wiener Staatsoper; Grigoriy in Boris Godunov at Teatro alla Scala and the Concertgebouw; Prince Golitsyn in Khovanshchina at the Grand Théâtre de Genève; Dante Alighieri in Rachmaninoff's Francesca da Rimini with the Berliner Philharmoniker; Andrey in Mazeppa at the Baden-Baden Festival and the Berliner Philharmoniker; Agrippa and Mephistopheles in The Fiery Angel at Teatro Real Madrid; Sergey in Lady Macbeth of Mtsensk in Frankfurt and at the Bolshoi Theatre; Hermann at La Monnaie / De Munt; Prince Myshkin in The Idiot at Theater an der Wien; Grishka in The Invisible City of Kitezh at the Gran Teatre del Liceu; and Alexei in The Gambler at Theater Basel, among others.
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Press

Opéra national de Lyon – The Queen of Spades
Olyrix
Tenor Dmitry Golovnin proves in the role of Hermann that true talent also knows how to wait for maturity: he brings to the young lover a character akin to a late Onegin—tormented from the very beginning and heading toward his inevitable downfall. The character’s gradual descent into madness shows on his face with remarkable nuance, and also in increasingly incoherent (yet entirely purposeful) gestures. The voice is clear, sustained, with present low notes and soaring high notes at will, never overwhelmed by this crushing role
Theater an der Wien – The Idiot
derStandard
Dmitry Golovnin, with his strikingly clear and impulsive tenor, creates a Myshkin whose sensitivity emerges both as a strength and as a subtly portrayed self-endangering fragility
Theater an der Wien – The Idiot
Bachtrack
The title protagonist, Dmitry Golovnin, whose brilliantly piercing tenor expressively rang and wailed throughout
Oper Frankfurt – Lady Macbeth of Mtsensk
Frankfurter Allgemeine
Dmitry Golovnin does a brilliant job with his sparkling eyes and his mad grin