Jerzy
Butryn
Bass

Bio

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Polish bass Jerzy Butryn’s recent and forthcoming highlights include his debut at The Royal Ballet and Opera as Timur Turandot, Totsky The Idiot at the Salzburg Festival, the title role in Boito’s Mefistofele at Teatro dell’Opera di Roma and the Prague National Theatre, Capellio I Capuleti e i Montecchi at Dutch National Opera, Vodník in Rusalka at the Norwegian National Opera, Timur Turandot at Teatro Massimo di Palermo, his role debut as Filippo II Don Carlo, the Four Villains Les Contes d’Hoffmann, and Teodor in the world premiere of Ziółkowski’s new opera GenOM at Wrocław Opera, as well as Colline in La bohème and Sarastro in Die Zauberflöte at the Polish National Opera.

Future engagements include returns to The Royal Ballet and Opera, the Salzburg Festival, the Prague National Theatre and Teatro dell’Opera di Roma, as well as his house debut at Opéra Royal de Wallonie-Liège.

His repertoire also includes Méphistophélès Gounod’s Faust, Il Commendatore Don Giovanni and Raimondo Lucia di Lammermoor, while earlier engagements have taken him to the Glyndebourne Festival, Teatro Regio di Parma, the St. Gallen Festival and the Grand Théâtre de Genève.
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Maciej Adamczyk
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Jerzy Butryn
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Jerzy Butryn
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Jerzy Butryn
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Jerzy Butryn
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Photo by
Maciej Adamczyk
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Press

Teatro dell'Opera di Roma - Mefistofele
Undoubtedly positive: Jerzy Butryn's Mephistopheles (Boito) (...) is pleasingly dark and compact. He moves with agility and ease, especially in the demanding arias “Son lo spirito che nega” and “Ecco il mondo”. Good stage presence as well, discreetly ironic and mocking as scripted - Totalita
Wrocław Opera -
The Tales of Hoffmann
Operatraveler
Butryn brought a very handsome bass to his roles (The Tales of Hoffmann). This is a notable instrument without a doubt. Dark and inky in tone, he coped with the differing tessitura of each role with impressive ease. It’s a sound of complex depth and certainly a voice I would like to hear again