Sofija
Petrovic
Mezzo-soprano

Bio

Represented by
Naomi Imai
Artists Administration
naomi@mkimpresari.com
Representation
Worldwide Exclusive
An alumna of the Académie de l’Opéra national de Paris, Serbian mezzo-soprano Sofija Petrović is increasingly recognised for her magnetic stage presence and richly expressive timbre, with upcoming major house debuts positioning her among the most compelling vocal talents of her generation.

Current and future engagement include appearances at Macerata Opera Festival as Azucena Il trovatore, a debut at La Monnaie as Santuzza Cavalleria Rusticana, and a return to Oper Frankfurt as Amneris Aida. Other engagements include her debut at the Gran Teatre del Liceu and Oper Leipzig, as well as her return to Oper im Steinbruch, further solidifying her rising international profile. 

Recent engagements include Marina Boris Godunov at Oper Frankfurt, Amneris Aida at the Oper im Steinbruch, the Birgit Nilsson Festival and Kungliga Operan Stockholm, Carmen at A Coruña Festival, and the title role in Judita by Frano Parać with Münchner Rundfunkorchester. Additional past highlights include Principessa di Bouillon Adriana Lecouvreur at the Teatro Massimo Bellini.
As a member of the ensemble of the Croatian National Theatre, she has sang roles such as Charlotte Werther, the Foreign Princess Rusalka, Amneris Aida and Venus Tannhäuser.
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Press

Münchner Rundfunkorchester -
Judita
Financial Times
Above all, the finale of Franco Parac's "Judita", premiered in 2000, sounds overwhelmingly dazzling and enormously effective, sung just as excellently by the Croatian Radio Choir as it is performed by Petrović with impact and a beguiling lirico-spinto-soprano
Münchner Rundfunkorchester -
Judita
The focus was on Sofija Petrovic in the title role, who with her dramatic mezzo had to fear neither the emotionally charged orchestra nor the enemy commander - Münchner Merkur
Oper im Steinbruch -
Aida
European News Agency
Sofija Petrović, as the proud and tormented Amneris, delivered a performance of extraordinary emotional depth. Her mezzo-soprano voice was rich and expressive, capturing the full range of Amneris’ character—from her initial regal poise to the fiery jealousy that ultimately consumes her