Praised for the "easy elegance of his phrasing and magnetic theatrical instincts", Luca Pisaroni has become one of the most sought-after bass-baritones of his generation.

In the 2026/27 season, Luca will return to the Canadian Opera Company as Dulcamare L'elisir d'amore and will appear as Murena L’esule di Roma at Teatro Donizetti Bergamo. On the concert stage, he will perform works by Mozart with the Wiener Symphoniker at their festival Primavera da Vienna, and Ein deutsches Requiem with Orchestre National de Mulhouse. Future projects include returns to the Opéra national de Paris in leading roles.

Recent highlights include Figaro Le nozze di Figaro at The Metropolitan Opera, Don Alfonso Così fan tutte at both the Wiener Staatsoper and the Opernhaus Zürich, the title role of Don Giovanni at the Festspielhaus Baden-Baden, the Palace of Arts (Müpa) in Budapest and Houston Grand Opera, as well as Leporello at Staatsoper Hamburg, and Don Basilio Il barbiere di Siviglia at the Opéra national de Paris, Los Angeles Opera, and the Canadian Opera Company. He made his debut as Dulcamara L’elisir d’amore at the Seattle Opera, sang Enrico VIII Anna Bolena at the Opernhaus Zürich, and performed the Four Villains Les Contes d’Hoffmann at the Teatro alla Scala.

In previous seasons, he was acclaimed as Golaud Pelléas et Mélisande at the Opéra national de Paris and the Staatsoper Berlin, Méphistophélès Faust at the Teatro Real Madrid, and in La damnation de Faust with the Pittsburgh Symphony Orchestra. He also sang Mahomet II Le Siège de Corinthe at the Rossini Opera Festival in Pesaro, and created the role of Don Rodrigue in the world premiere of Marc-André Dalbavie’s Le Soulier de satin at the Opéra national de Paris.