General Management in Europe / in cooperation with IMG Artists
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Praised for the "easy elegance of his phrasing and magnetic theatrical instincts", Luca Pisaroni has become one of the most sought-after bass-baritones of his generation.
In the 2025–2026 season, he returns as Don Alfonso Così fan tutte at both the Wiener Staatsoper and the Opernhaus Zürich, and appears in the title role of Don Giovanni at the Festspielhaus Baden-Baden and the Palace of Arts (Müpa) in Budapest. He also sings Don Basilio Il barbiere di Siviglia with Canadian Opera Company and Houston Grand Opera.
Recent highlights include Figaro Le nozze di Figaro at The Metropolitan Opera, Don Alfonso Così fan tutte at the Wiener Staatsoper, Leporello Don Giovanni at Staatsoper Hamburg, and Don Basilio Il barbiere di Siviglia at the Opéra national de Paris and the Los Angeles Opera. He made his debut as Dulcamara L’elisir d’amore at the Seattle Opera, sang Enrico VIII Anna Bolena at the Opernhaus Zürich, performed the Four Villains Les Contes d’Hoffmann at the Teatro alla Scala, and took on the title role in Don Giovanni at Houston Grand Opera.
In previous seasons, he was acclaimed as Golaud Pelléas et Mélisande at the Opéra national de Paris and the Staatsoper Berlin, Méphistophélès Faust at the Teatro Real Madrid, and in La damnation de Faust with the Pittsburgh Symphony Orchestra. He also sang Mahomet II Le Siège de Corinthe at the Rossini Opera Festival in Pesaro, and created the role of Don Rodrigue in the world premiere of Marc-André Dalbavie’s Le Soulier de satin at the Opéra national de Paris.
It's bass Luca Pisaroni who scores the biggest part as Friar Lawrence, and in a deep voice, midwifes a ceasefire between the Capulets and the Montagues
The voice is gorgeous, and every word filled with meaning. As clueless as the character of Figaro may be at times, Pisaroni creates one of the most spot-on, lovable Figaros you are likely to encounter on disc
Met Opera – Le nozze di Figaro
A darkly suave and elegant Figaro - The girl of the Golden Met