David
Leigh
Bass

Bio

Represented by
Naomi Imai
Artists Administration
naomi@mkimpresari.com
Representation
Worldwide, excluding North America / in cooperation with IMG Artists
Praised as “darkest-sounding Hagen” (iHearVoices), American bass David Leigh has established himself as a commanding presence across the opera world.

In the 2026-27 season he joins Opernhaus Zürich on tour to the Philharmonie de Paris and Carnegie Hall as Fafner Der Ring des Nibelungen conducted by Gianandrea Noseda. He makes his house debut at Lyric Opera of Chicago as Commendatore Don Giovanni and returns to Festival d’Aix-en-Provence for the world premiere of Hans Abrahamsen’s The Dreamers as Baron. Later in the season he debuts at the BBC Proms.

Recent engagements include his debut at Opéra national de Paris as Virgilio Il viaggio di Dante, Fafner and Hagen Der Ring des Nibelungen at Opernhaus Zürich, and Colline La bohème at Bayerische Staatsoper. Among his other operatic highlights are Commendatore Don Giovanni at Festival d’Aix-en-Provence, Canadian Opera Company and Hyōgo Performing Arts Center; König Marke Tristan und Isolde at Santa Fe Opera, Rocco Fidelio with Washington National Opera, and John Claggart Billy Budd at Teatro Colón in Buenos Aires. His repertoire also encompasses Varlaam Boris Godunov at Opéra de Lyon, Daland Der fliegende Holländer at Staatsoper Hamburg, Filippo II Don Carlo at Dallas Opera, as well as Sarastro Die Zauberflöte at Ravinia Festival and the Opera Theatre of Saint Louis, Prince Gremin Eugene Onegin at Seattle Opera, Gurnemanz Parsifal at Canadian Opera Company, and Sparafucile Rigoletto with Kentucky Opera.

As a concert soloist, he has appeared in Mahler’s Eighth Symphony with the Czech Philharmonic, Beethoven’s Ninth Symphony with the Orchestre symphonique de Montréal and Duisburger Philharmoniker, Mozart’s Requiem with the Dallas Symphony, and Verdi’s Requiem with the Orchestra of Opernhaus Zürich. 

Mr. Leigh was a member of the Metropolitan Opera’s Lindemann Young Artist Program and has performed at The Metropolitan Opera in Cendrillon and given a joint recital with Emily D’Angelo at Park Avenue Armory.
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News

Press

Canadian Opera Company - Hadrian
David Leigh thrills as the treacherous Turbo. His massive tone and incredible range were on full display - Schmopera
Zurich Opera - Siegfried
Forumopera
It is at this point that we will finally see Fafner (David Leigh) appear, whose dazzling bass voice we had until now only heard through a reverberated sound system
Zurich Opera - Siegfried
Oper Aktuell
David Leigh lends the Fafner sonorous, grumpy, organ-like bass tones, first from off-, then, after leaving the still breathing body of the wounded giant dragon, physically on-stage 
Zurich Opera - Siegfried
Das Opernmagazin
With a sonorous bass voice, one experiences David Leigh as the defeated giant dragon, revealing himself as Fafner and revealing to Siegfried Mime's murderous plan
Opera Zürich - Don Giovanni
Arcimboldi's World
Am stärksten in Erinnerung bleibt – neben Shushakov – sicherlich DAVID LEIGH als Komtur, was für ein schöner, voluminöser und wohlklingender Bass!
Opera Zürich - Don Giovanni
As the Commendatore, David Leigh's massive, dark-hued sound commanded attention, and for his final appearance he stalked and skulked in a dramatic follow-spot, smoking menacingly - Parterre
Canadian Opera Company - Die Zauberflöte
David Leigh was a very fine Sarastro, his imposing appearance and strong, utterly solid, bass impressive. No wonder he has become something of a house favourite - Bachtrack
Canadian Opera Company - Die Zauberflöte
David Leigh is Sarastro as soon as he opens his mouth, and it is difficult to say what is more impressive: his earth-shaking bass or his impeccably elegant vocal line - Premiere Loge