Derek
Welton
Bass-baritone

Bio

Represented by
Naomi Imai
Artists Administration
naomi@mkimpresari.com
Thomas Walton
Concert representation
/ IMG​​ Artists
twalton@imgartists.com
+44 (0) 20 7957 5808
Representation
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Described as “the possessor of a major voice” (Opera) and a “magnificent Wotan” (Die Zeit), Australian bass-baritone Derek Welton has emerged as a leading dramatic voice of his generation, as well as a dedicated and versatile interpreter of concert repertoire from Bach and Handel to the present day.

In the 2025/26 season, Welton returns to the Wiener Staatsoper as Orest Elektra, to the Deutsche Oper Berlin in the title role of Der fliegende Holländer, and to the Opéra de Lyon as Claggart Billy Budd. He makes his house debut at the Opernhaus Zürich as Pizarro Fidelio, his house and role debut as König Heinrich Lohengrin at the Hungarian State Opera, and performs Wanderer Siegfried at the Müpa Budapest. In addition, he sings König Marke Tristan und Isolde in concert with the Houston Symphony Orchestra.

Highlights of Welton’s 2024/25 season included Pizarro Fidelio at the Washington National Opera, König Marke Tristan und Isolde, Holländer Der fliegende Holländer and Forester The Cunning Little Vixen at the Deutsche Oper Berlin and Wotan Das Rheingold at the Opéra national de Paris.

He is a regular guest at many of the world’s foremost opera houses and festivals, including The Royal Ballet and Opera, Salzburger Festspiele, Wiener Staatsoper, Bayreuther Festspiele, Bayerische Staatsoper, Deutsche Oper Berlin, Semperoper Dresden, Staatsoper Hamburg, Opéra national de Paris, Teatro Real Madrid, Dutch National Opera, and Lyric Opera of Chicago. His wide-ranging roles include Wotan/Wanderer Der Ring des Nibelungen, Amfortas Parsifal, Altair Die ägyptische Helena, Father Hänsel und Gretel, Bluebeard Bluebeard’s Castle, Forester The Cunning Little Vixen, Prus The Makropulos Case and Saint-Bris Les Huguenots.

Recent and future concert highlights include Mahler’s Symphony No 8 with the Czech Philharmonic, London Philharmonic and Philharmonia Orchestras, Messiah at the Musikverein Wien, Bach Magnificat with the Tonkünstler-Orchester Niederösterreich, The Dream of Gerontius with the WDR Symphony Orchestra, Bruckner Mass in F minor with the Wiener Symphoniker, Ein deutsches Requiem at the Teatro dell’Opera di Roma, and The Epic of Gilgamesh with the Prague Philharmonia. He performs widely with leading ensembles including the Berliner Philharmoniker, Gewandhausorchester Leipzig, London Symphony Orchestra, Orchestra of the Age of Enlightenment, and the Academy of Ancient Music.

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News

Press

Dresdner Musikfestspiele - Siegfried
Aktuálně
Just like last year, the entire production was completely dominated by the Australian singer Derek Welton. Clear gestures and austere expression were enough for him to portray the natural authority of the ruler of the gods in Valhalla: his performance was undoubtedly the highlight of the performance and the audience looked forward to his every appearance on stage. His voice sounded perfectly balanced and he dominated all the singing parts
Dresdner Musikfestspiele - Siegfried
cult.news
The admirable and masterful Wanderer of Australian bass-baritone Derek Welton possesses both the nobility of the god who gradually sees his power crumble before being reduced to nothing, and the tenderness of the grandfather discovering the fruit of the forbidden love of his own twins. There is a great deal of humanity in his incarnation, mixed with impressive vocal authority and a typically Wagnerian technique of the long musical phrase, where the performer never shouts, never forces his beautiful natural projection, but passes joyfully over the entire orchestra and easily fills the volume of the Philharmonie. An artist to watch closely in the hope that he will return to Paris in the great Wagnerian roles where we expect him!
Dresdner Musikfestspiele - Siegfried
Klasika Plus
The excellent Wotan was the Australian bass-baritone Derek Welton, who has in his voice the means for a perfect balance of the dual characteristics of this role: a regal determination that does not tolerate resistance and a dignified grandeur. He phrased the cantilenas impressively and, in his facial expressions, involuntarily revealed his extensive stage experience with the role
Dresdner Musikfestspiele - Siegfried
Opera Plus
Australian bass-baritone Derek Welton lent the timbre and beautiful color of his voice to The Wanderer and impressed also with his overall expression and performance on stage
Dresdner Musikfestspiele -
Die Walküre
Derek Welton is unsurpassable as Wotan - Kölner Stadtanzeiger
Dresdner Musikfestspiele -
Die Walküre
Derek Welton is a Wotan dazzling with power and presence - Forum Opéra
Deutsche Oper Berlin -
Die Walküre
Welton is superbly commanding as a distinguished-looking but troubled and disturbing, violently inclined Wotan - Limelight Magazine
Deutsche Oper Berlin -
Das Rheingold
Das Opernmagazin
Derek Welton has found his star role in the somewhat higher-lying part of the Rheingold Wotan. With declamatory brilliance together with confident vocal production and cultivated articulation, he portrayed this complex figure in all his multidimensionality
Opéra national de Lyon - Elijah
The splendid hero turns out to be Derek Welton. The Australian baritone dominates the overwhelming title role and infuses it with all the colours of the Lieder singer that he also is - Classique News
Opéra national de Lyon - Elijah
The baritone Derek Welton was the great star in this staged version of Mendelssohn’s oratorio Elijah. His presence, his projection, the intensity of his acting, allowed him to embody an ideal prophet, an angry man, permanently questioning, fulminant in this shadowy oratorio - Classica
Wiener Staatsoper - Elektra
Opera Online
Derek Welton sang the role of Orest in the celebrated Elektra production at the Salzburg Festival and once again performs very successfully, confident, very present and convincing, with clear diction
Wiener Staatsoper - Elektra
Derek Welton was an Orest of extraordinarily beautiful singing and, on top of that, extremely clear diction. His technique allows him even with his entrance, “Ich muss hier warten…”, to project the precarious bass notes over the orchestra in a well-carrying piano - Online Merker

Discography